これが売れてる【FICTION & LITERATURE】
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bestselling Harry Potter series of seven books, published between 1997 and 2007, which have sold over 450 million copies worldwide, are distributed in more than 200 territories and translated into 79 languages, and have been turned into eight blockbuster films by Warner Bros. She has written three companion volumes to the series in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them in aid of Comic Relief; and The Tales of Beedle the Bard in aid of her children's charity Lumos. Her website and e-publisher Pottermore is the digital hub of the Wizarding World. She has recently collaborated with writer Jack Thorne and director John Tiffany on the stage play Harry Potter and the Cursed Child Parts Parts One and Two, which is now running at The Palace Theatre in London s West End. J.K. Rowling is also the author of a novel for adult readers, The Casual Vacancy, and, under the pseudonym Robert Galbraith, is the author of three crime novels featuring private detective Cormoran Strike, which are to be adapted for BBC television. Fantastic Beasts and Where to Find Them marks J.K. Rowling's screenwriting debut. 【商品情報】 ■ 発売日 : 2014/10/9 ■ ISBN-10 : 1408856778 ■ ISBN-13 : 9781408856772 ■ 出版社 : Bloomsbury Childrens ■ ページ : 3422ページ

he final disclosure that Pip returns home too late to marry Biddy but is now free to pursue his lost love Estella.＜/p＞ ＜p＞Through careful examination of the plots of such classics as Charles Dickens’s ＜em＞Great Expectations,＜/em＞ Charlotte Bront?’s ＜em＞Villette,＜/em＞ Wilkie Collins’s ＜em＞The Moonstone,＜/em＞ Jane Austen’s ＜em＞Pride and Prejudice,＜/em＞ Henry James’s ＜em＞The Ambassadors,＜/em＞ Elizabeth Gaskell’s ＜em＞Mary Barton,＜/em＞ and others, Glatt argues for the central role of these "unwritten plots" in Victorian narrative construction. Abandoning the allegorical modeーin which characters are bound by fixed identities to reach a predetermined conclusionーand turning away from classical and historical plots with outcomes already known to audiences, the realist novel of the Victorian era was designed to simulate the openness and uncertainty of ordinary human experience. We are invested in these stories of David Copperfield or Elizabeth Bennet or Lucy Snowe in part because we cannot be entirely sure how those stories will end. As Glatt demonstrates, the Victorian novel is characterized by a proliferation of possibilities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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ng natural patterns, and these eras were the first to reflect upon the ecological degradations of the Industrial Revolution. ＜em＞Chaos and Cosmos＜/em＞ contends that the seed of imagination that would enable a scientist to study a lake as a microcosmic world at the formal, empirical level was sown by Romantic and Victorian poets who consciously drew a sphere around their perceptions in order to make sense of spots of time and place amid the globalizing modern world.＜/p＞ ＜p＞This study’s interest goes beyond likening literary tropes to scientific aesthetics; it aims to theorize the interdisciplinary history of the concepts that underlie our scientific understanding of modern nature. Paradigmatic ecological ideas such as ecosystems, succession dynamics, punctuated equilibrium, and climate change are shown to have a literary foundation that preceded their status as theories in science. This book represents an elevation of the prospects of ecocriticism toward fully developed interdisciplinary potentials of literary ecology.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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